Gallery Three: Francesca Longhini ‘Baroque Anxiety’

Francesca Longhini

Baroque Anxiety

18 March – 15 April 2017

 


Installation view, Ibid Gallery, Los Angeles

 


Installation view, Ibid Gallery, Los Angeles

 


Installation view, Ibid Gallery, Los Angeles

 


Francesca Longhini
Plato, 2016
gold foil, acrylic, graphite, and wax on paper
60 x 80 cm
23 5/8 x 31 1/2 in

 


Francesca Longhini
Il banco delle domande mal poste (The bench of the badly posed questions), 2017
Gold foil, acrylic, graphite, wax and rabbit glue on cotton
82 x 68 cm
32 1/4 x 26 3/4 in

 


Installation view, Ibid Gallery, Los Angeles

 


Installation view, Ibid Gallery, Los Angeles

 


Francesca Longhini
Time is the shadow of the light, 2017
gold foil, acrylic, graphite, wax, gesso and rabbit glue on linen
17 x 15 cm
6 3/4 x 5 7/8 in

 


Installation view, Ibid Gallery, Los Angeles

 


Francesca Longhini
Peculiar Trouble, 2017
Gold foil, acrylic, graphite, wax, gesso and rabbit glue on linen
36 x 29 cm
14 1/8 x 11 3/8 in

 


Installation view, Ibid Gallery, Los Angeles

 


Francesca Longhini
Compromise Lives on Preclusion, 2017
Gold foil acrylic graphite wax gesso and rabbit glue on linen
42 x 52 cm
16 1/2 x 20 1/2 in

 


Francesca Longhini
Contact point works counterclockwise, 2017
Gold foil, acrylic, graphite, wax, rabbit glue and gesso on linen
61 x 51 cm
24 1/8 x 20 1/8 in

 


Installation view, Ibid Gallery, Los Angeles

 


Installation view, Ibid Gallery, Los Angeles

 


Francesca Longhini
Sabotage Without Dedication, 2017
Gold foil, acrylic, graphite, wax, gesso and rabbit glue on linen
17 x 15 cm
6 3/4 x 5 7/8 in

 

 

Press Release

Gallery One: Carsten Nicolai ‘autonomo’

Carsten Nicolai

autonomo

January  28 – April 1, 2017

 

Ibid-2017-01-27_010
Carsten Nicolai

autonomo, 2017
mixed media sound installation; including 9 aluminium plates suspended, 200 tennis balls and a tennis ball machine
dimensions variable

 

Ibid-2017-01-27_006
Installation view, Ibid Gallery, Los Angeles

 

Ibid-2017-01-27_004
Installation view, Ibid Gallery, Los Angeles

 

Ibid-2017-01-27_014
Installation view, Ibid Gallery, Los Angeles

 

Ibid-2017-01-27_011
Installation view, Ibid Gallery, Los Angeles

 

Ibid-2017-01-27_019
Installation view, Ibid Gallery, Los Angeles

 

Ibid-2017-01-27_003
Installation view, Ibid Gallery, Los Angeles

 

SINUS_A2_DSC8679
Carsten Nicolai
formula sinus A2, 2016
gesso, pigment on canvas
40 x 30 cm
15 3/4 x 11 3/4 in

 

BESSEL_4_DSC8694
Carsten Nicolai
formula bessel 4, 2016
gesso, pigment on canvas
40 x 30 cm
15 3/4 x 11 3/4 in

 

BESSEL_1_DSC8667
Carsten Nicolai

formula bessel 1, 2016
gesso, pigment on canvas
50 x 40 cm
19 3/4 x 15 3/4 in

 

BESSEL_2_DSC8670
Carsten Nicolai

formula bessel 2, 2016
gesso, pigment on canvas
50 x 40 cm
19 3/4 x 15 3/4 in

 

GAUSS_2_DSC8664_1
Carsten Nicolai

formula gauss 2, 2016
gesso, pigment on canvas
50 x 40 cm
19 3/4 x 15 3/4 in

 

Ibid-2017-01-27_002
Installation view, Ibid Gallery, Los Angeles

 

Video

Press Release

Gallery Two: ‘Damage Control’

Damage Control

Qiu Xiaofei
Maria Taniguchi
Jean-Michel Basquiat
Glenn Brown
Jānis Avotiņš
Christopher Wool
Yayoi Kusama
Christoph Weber
Robert Longo
Lee Ufan
Andy Warhol
Chun Kwang Young

January 28 – April 1, 2017

Ibid-2017-02-07_001
Installation view, Damage Control
left to right:
Robert Longo, Maria Taniguchi, Jean-Michel Basquiat, Chun Kwang Young, Christopher Wool, Andy Warhol, Christoph Weber
Ibid Gallery, Los Angeles, 2017

 

Ibid-2017-02-07_004
Christoph Weber

Beton (geworfen), 2015
concrete
49 x 75 x 27 cm
19 1/4 x 29 1/2 x 10 5/8 in

 

Ibid-2017-02-07_002
Installation view, Damage Control
left to right:
Robert Longo, Maria Taniguchi, Jean-Michel Basquiat, Chun Kwang Young, Christopher Wool, Andy Warhol, Christoph Weber
Ibid Gallery, Los Angeles, 2017

 

Ibid-2017-01-24_036 copy
Installation view, Damage Control
left to right:
Maria Taniguchi, Jean-Michel Basquiat, Chun Kwang Young, Christopher Wool
Ibid Gallery, Los Angeles, 2017

 

Ibid-2017-02-07_005
Maria Taniguchi

Untitled, 2016
acrylic, canvas, wood support
271.8 x 121.9 cm
107 x 48 in

 

Ibid-2017-01-24_037 copy
Installation view, Damage Control
left to right:
Chun Kwang Young, Christopher Wool, Christoph Weber, Yayoi Kusama, Christoph Weber
Ibid Gallery, Los Angeles, 2017

 

 

Ibid-2017-01-24_045 copy
Christoph Weber

Blei (gefalzt), 2017
lead on wood
53 x 34 x 5 cm
20 7/8 x 13 3/8 x 2 in

 

Ibid-2017-01-24_038 copy
Installation view, Damage Control
left to right:
Christopher Wool, Christoph Weber, Yayoi Kusama, Jānis Avotiņš, Christoph Weber, Lee Ufan
Ibid Gallery, Los Angeles, 2017

 

Ibid-2017-01-24_042 copy
Installation view, Damage Control
left to right:
Christoph Weber, Yayoi Kusama, Jānis Avotiņš, Christoph Weber, Lee Ufan
Ibid Gallery, Los Angeles, 2017

 

Ibid-2017-01-24_041 copy
Installation view, Damage Control
left to right:
Jānis Avotiņš, Lee Ufan, Christoph Weber, Glenn Brown, Qiu Xiaofei, Robert Longo
Ibid Gallery, Los Angeles, 2017

 

IBID-AVOTJ-00747-image
Jānis Avotiņš

Untitled, 2015
oil on canvas
154 x 39.5 cm
60 5/8 x 15 1/2 in

 

Ibid-2017-01-24_040 copy
Installation view, Damage Control
left to right:
Christoph Weber, Lee Ufan, Glenn Brown, Qiu Xiaofei, Robert Longo
Ibid Gallery, Los Angeles, 2017

 

Ibid-2017-02-07_006 Christoph Weber
Not yet titled, 2012
concrete
26 x 74 x 81 cm
10 1/4 x 29 1/8 x 31 7/8 in

 

Ibid-2017-01-24_039 copy
Installation view, Damage Control
left to right:
Jānis Avotiņš, Christoph Weber, Lee Ufan, Glenn Brown, Qiu Xiaofei
Ibid Gallery, Los Angeles, 2017

 

Ibid-2017-01-24_044 copy
Installation view, Damage Control
left to right:
Glenn Brown, Qiu Xiaofei, Christoph Weber, Robert Longo
Ibid Gallery, Los Angeles, 2017

 

Ibid-2017-02-07_003

Installation view, Damage Control
left to right:
Andy Warhol, Christoph Weber
Ibid Gallery, Los Angeles, 2017

 

Press Release

Gallery Three: Thomas Linder ‘Primary Grid’

Thomas Linder

Primary Grid

January  28 – March 4, 2017

 

Ibid-2017-02-07_008a
Installation view, Ibid Gallery, Los Angeles

 

Ibid-2017-01-24_028
Thomas Linder
Light Filter Triptych 2, 2017
poplar, polyester fabric, polyester resin, pigment
71.1 x 264.2 x 22.9 cm
28 x 104 x 9 in

 

Ibid-2017-01-24_026
Installation view, Ibid Gallery, Los Angeles

 

Ibid-2017-01-24_031
Thomas Linder

Slat Louver with Three Interruptions 3, 2016
basswood, polyester resin, pigment
309.9 x 106 x 3.8 cm
122 x 41 3/4 x 1 1/2 in

 

Ibid-2017-01-24_033
Slat Louver with Three Interruptions 3
, 2016 (detail)

 

Ibid-2017-01-24_023
Installation view, Ibid Gallery, Los Angeles

 

Ibid-2017-01-24_001
Thomas Linder

Light Filter Triptych, 2017
poplar, polyester fabric, polyester resin, pigment
71.1 x 264.2 x 22.9 cm
28 x 104 x 9 in

 

Ibid-2017-01-24_003
Light Filter Triptych
, 2017 (alternate view)

 

Ibid-2017-01-24_018
Installation view, Ibid Gallery, Los Angeles

 

Ibid-2017-01-24_011
Thomas Linder

Primary Grid Screen, 2017
poplar, polyester fabric, polyester resin, pigment
variable
here at 355.6 x 428 x 22.9 cm
140 x 168 1/2 x 9 in

 

Ibid-2017-01-24_016
Primary Grid Screen
, 2017 (detail)

 

Ibid-2017-01-24_015
Primary Grid Screen
, 2017 (detail)

 

Ibid-2017-01-24_017
Installation view, Ibid Gallery, Los Angeles

 

Ibid-2017-01-24_022
Installation view, Ibid Gallery, Los Angeles

 

Ibid-2017-01-24_004
Thomas Linder
Slat Louver with One Interruption, 2016
basswood, polyester resin, pigment 125.7 x 78.1 x 3.8 cm
49 1/2 x 30 3/4 x 1 1/2 in

 

Ibid-2017-01-24_005
Slat Louver with One Interruption
, 2016 (detail)

 

Ibid-2017-01-24_006
Thomas Linder
Slat Louver 10, 2016
basswood, polyester resin, pigment
61 x 36.2 x 3.8 cm
24 x 14 1/4 x 1 1/2 in

 

Ibid-2017-01-24_021
Installation view, Ibid Gallery, Los Angeles

 

Ibid-2017-01-24_008
Thomas Linder

Slat Louver with Three Interruptions 2, 2016
basswood, polyester resin, pigment
309.9 x 104.1 x 3.8 cm
122 x 41 x 1 1/2 in

 

Ibid-2017-01-24_019
Installation view, Ibid Gallery, Los Angeles

 

 

Press Release