David Adamo

at Moorgate

in collaboration with HS Projects

Press Release

 

Installation view, David Adamo, Finsbury Circus House

 

Installation view, David Adamo, Finsbury Circus House

 

 

 

 

 

Installation view, David Adamo, Finsbury Circus House

 

David Adamo
Untitled, 2012-2017
cedar wood, bronze
approx 150 cm x 185 cm

 

David Adamo
Untitled (detail), 2012-2017
cedar wood, bronze
approx 150 cm x 185 cm

 

David Adamo
Untitled (detail), 2012-2017
cedar wood, bronze
approx 150 cm x 185 cm

 

Installation view, David Adamo, Finsbury Circus House

 

 

 

 

Installation view, David Adamo, Finsbury Circus House

Jack McConville

CAPITAL DEPTHS 

2 September – 1 October 2016

 

Installation view, Jack McConville, CAPITAL DEPTHS, Ibid Gallery London

 

Jack McConville
Source of Funds, 2016
oil on canvas
135 x 120 cm

 

Jack McConville
Value Pump, 2016
oil on canvas
135 x 120 cm

 

Installation view, Jack McConville, CAPITAL DEPTHS, Ibid Gallery London

 

Installation view, Jack McConville, CAPITAL DEPTHS, Ibid Gallery London

 

Jack McConville
Final Payment, 2016
oil on canvas
120 x 110 cm

 

Jack McConville
Dissolution of Bonds, 2016
oil on canvas
120 x 110 cm

 

Installation view, Jack McConville, CAPITAL DEPTHS, Ibid Gallery London

 

Jack McConville
Cloudbusting, 2016
oil on canvas
175 x 150 cm

 

Installation view, Jack McConville, CAPITAL DEPTHS, Ibid Gallery London

 

Jack McConville
Power Lines, 2016
oil on canvas
140 x 120 cm

 

Installation view, Jack McConville, CAPITAL DEPTHS, Ibid Gallery London

 

Jack McConville
Late Shift, 2016
oil on canvas
175 x 150 cm

 

Installation view, Jack McConville, CAPITAL DEPTHS, Ibid Gallery London

 

Jack McConville
Re-directed Streams, 2016
oil on canvas
140 x 120 cm

 

Installation view, Jack McConville, CAPITAL DEPTHS, Ibid Gallery London

 

Jack McConville
Inevitable Depths, 2016
oil on canvas
110 x 120 cm

 

Jack McConville
Call Options, 2016
oil on canvas
120 x 110 cm

 

 

Press release

Press:

Time Out London

Holiday

Summer Group Show

David Adamo
, Harold Ancart
, Karel Appel
, Alexander Calder,
Sonia Delaunay, Devin Farrand
, Alberto Giacometti, David Hockney
,
Allen Jones, Asger Jorn
, Yayoi Kusama
, Henri Matisse, Dashiell Manley
,
Jack McConville, Joan Miro
, Takashi Murakami
, Auguste Rodin,
Rallou Panagiotou, Francis Picabia, Sigmar Polke
, Ai Weiwei

18 June – 27 August 2016

 

Installation view, Holiday
left to right:
Jack McConville, Sigmar Polke, Auguste Rodin, Allen Jones,
Alexander Calder, Takashi Murakami, Dashiell Manley
Ibid Gallery, London, 2016

 

Installation view, Holiday
left to right:
David Hockney, Harold Ancart, Francis Picabia
Ibid Gallery, London, 2016

 

Installation view, Francis Picabia, Holiday, Ibid Gallery, London, 2016

 

Installation view, Holiday, Ibid Gallery, London, 2016

 

Alberto Giacometti
En Pensant a Paul Eluard (Still Life with flowers), 1952
pen and ink on paper
22.9 x 16.5 cm

 

Installation view, Holiday, Ibid Gallery, London, 2016

 

David Adamo
Untitled (cookies 8), 2013
plaster, clay, paint
dimensions variable

 

Installation view, Holiday
left to right:
Devin Farrand, Alexander Calder, Henri Matisse,
Jack McConville, Sigmar Polke, Auguste Rodin
Ibid Gallery, London, 2016

 

Devin Farrand
Piston Plate 12, 2016
steel, Carrara marble, bluing
30.5 x 20.3 x 2.5 cm

 

Installation view, Holiday
left to right:
Sigmar Polke, Auguste Rodin, Allen Jones, Alexander Calder
Ibid Gallery, London, 2016

 

Auguste Rodin
Éternel printemps, second état, 4ème réduction dite aussi n.2 (1900), 1900
bronze
24.8 x 29.5 x 18.5 cm

 

Installation view, Holiday
left to right:
Takashi Murakami, Alexander Calder, Dashiell Manley
Ibid Gallery, London, 2016

 

Dashiell Manley
Elegy for whatever 4, 2016
oil on linen
78.7 x 64.1 cm

 

Installation view, Holiday
left to right:
Takashi Murakami, Alexander Calder, Dashiell Manley,
Joan Miro, David Adamo, Rallou Panagiotou
 Ibid Gallery, London, 2016

 

Alexander Calder
Hammock, 1974
hand-woven Jute tapestry
310 x 112 cm

 

Installation view, Holiday
left to right:
Joan Miro, Rallou Panagiotou, David Adamo, Asger Jorn,
Ai Weiwei, Yayoi Kusama
Ibid Gallery, London, 2016

 

Rallou Panagiotou
Liquid Degrade, 2014
white marble
111 x 6.5 x 5 cm

 

Installation view, Holiday
left: Yayoi Kusama, right: Ai Weiwei
Ibid Gallery, London, 2016

 

Sonia Delaunay
Coloured Squares, 1963
watercolor on paper
29 x 19 cm

 

Press Release

Essay

 

focus (3-6)

Pietro Paolini
Christopher Orr

on view 25 May – 11 June 2016

 

Installation view, Pietro Paolini, focus (3-6), Ibid Gallery, London

 

Installation view, Pietro Paolini, focus (3-6), Ibid Gallery, London

 

Pietro Paolini
Lute Player, circa 1630
oil on canvas
72 x 97 cm

 

Installation view, Christopher Orr, focus (3-6), Ibid Gallery, London

 

Installation view, Christopher Orr, focus (3-6), Ibid Gallery, London

 

Christopher Orr
A Chorus Among Ruins, 2016
oil on canvas
61 x 51 cm

 

Ibid Gallery is pleased to present focus (3-6), a show of fortnightly rotating works by modern and contemporary artists in intimate dialogue.

The works shown from Ibid Gallery’s collection will be chosen for their visual or conceptual ties with the historical work they are presented alongside. With this platform, the influence that the selected 20th century masters have had on recently established artists is acknowledged and a new dialogue is created between works decades apart by tracing the lineage of ideas. Furthermore, in placing these pieces in proximity to each other but simultaneously giving the viewer space to focus on each work individually, a deeper, imaginative experience is made possible and associations can be questioned.

Every two weeks there will be a new two-person show with themes of its own and in all instances of two artists who have never before been shown together on such a level. Ibid Gallery invites the viewer to revisit the space throughout the duration of the show and will be announcing the schedule on the website and Instagram.

The third cycle will present Pietro Paolini’s Lute Player (circa 1630) and Christopher Orr’s A Chorus Among Ruins (2016).

For more information or images please contact chelsea@ibidgallery.com

 

Essay

 

focus (2-7)

Alighiero Boetti
Flora Hauser

on view 10 May – 24 May 2016

 

Installation view, Alighiero Boetti, focus (2-7), Ibid Gallery, London

 

Alighiero Boetti
Smettere in Moto, 1978-79
ballpoint pen on paper laid on canvas triptych
100 x 70 cm each

 

Installation view, Flora Hauser, focus (2-7), Ibid Gallery, London

 

Flora Hauser
Midtown, in the company of some pigeons, 2014
pencil and watercolour on canvas
162 x 114 cm

 

Ibid Gallery London is pleased to present focus (2-7), a show of fortnightly rotating works by modern and contemporary artists in intimate dialogue.

The works shown from Ibid Gallery’s collection will be chosen for their visual or conceptual ties with the historical work they are presented alongside. With this platform, the influence that the selected 20th century masters have had on recently established artists is acknowledged and a new dialogue is created between works decades apart by tracing the lineage of ideas. Furthermore, in placing these pieces in proximity to each other but simultaneously giving the viewer space to focus on each work individually, a deeper, imaginative experience is made possible and associations can be questioned.

Every two weeks there will be a new two-person show with themes of its own and in all instances of two artists who have never before been shown together on such a level. Ibid Gallery invites the viewer to revisit the space throughout the duration of the show and will be announcing the schedule on the website and Instagram.

The second cycle will present Alighiero Boetti’s Smettere in Moto (1978-79) and Flora Hauser’s Midtown, in the company of some pigeons (2014).

For more information or images please contact chelsea@ibidgallery.com

 

Essay

focus (1-8)
a ten week exhibition cycle with rotating singular works by modern and
contemporary artists in conversation, commencing with works by

Piero Manzoni
Marianne Vitale

on view 26 April – 7 May 2016

 

Installation view, Piero Manzoni, focus (1-8), Ibid Gallery, London

 

Piero Manzoni
Achrome, 1960-61
squared sewn cloth
74.5 x 55 cm

 

Installation view, Marianne Vitale, focus (1-8), Ibid Gallery, London

 

Marianne Vitale
Tongue and Groove (2), 2010
reclaimed lumber
121.9 x 165.1 x 12.7 cm

 

Ibid Gallery London is pleased to present focus (1-8), a show of fortnightly rotating works by modern and contemporary artists in intimate dialogue.

The works shown from Ibid Gallery’s collection will be chosen for their visual or conceptual ties with the historical work they are presented alongside. With this platform, the influence that the selected 20th century masters have had on recently established artists is acknowledged and a new dialogue is created between works decades apart by tracing the lineage of ideas. Furthermore, in placing these pieces in proximity to each other but simultaneously giving the viewer space to focus on each work individually, a deeper, imaginative experience is made possible and associations can be questioned.

Every two weeks there will be a new two-person show with themes of its own and in all instances of two artists who have never before been shown together on such a level. Ibid Gallery invites the viewer to revisit the space throughout the duration of the show and will be announcing the schedule on the website and Instagram.

The opening week will present Piero Manzoni’s Achrome (1960-61) and Marianne Vitale’s Tongue and Groove (2), (2012).

For more information or images please contact chelsea@ibidgallery.com

 

Essay

Maria Taniguchi

12 February – 9 April 2016

 

Installation view, Maria Taniguchi, Ibid. London

 

Installation view, Maria Taniguchi, Ibid. London

 

Maria Taniguchi
Untitled, 2016
acrylic, canvas, wood support
274.3 x 121.9 cm

 

Installation view, Maria Taniguchi, Ibid. London

 

Installation view, Maria Taniguchi, Ibid. London

 

Installation view, Maria Taniguchi, Ibid. London

 

 

Installation view, Maria Taniguchi, Ibid. London

 

Maria Taniguchi
Untitled, 2014
acrylic on paper
57 x 84 cm

 

 

 

Press release

Press:

Artforum
Guardian Guide Critics Picks
Art Review Asia
Time Out London 

Jānis Avotiņš

Since the Foundation

11 December 2015 – 6 February 2016

 

Installation view, Jānis Avotiņš, Since the Foundation 

 

Jānis Avotiņš
Untitled , 2015
oil on canvas
138 x 103 cm

 

Installation view, Jānis Avotiņš, Since the Foundation 

 

Jānis Avotiņš
Untitled, 2015
graphite on paper
16.5 x 11.2 cm

 

Jānis Avotiņš
Untitled , 2015
oil on canvas
124 x 87 cm

 

Installation view, Jānis Avotiņš, Since the Foundation 

 

 

Jānis Avotiņš
Untitled , 2015
oil on canvas
91 x 114.5 cm

 

Jānis Avotiņš
Untitled , 2015
oil on canvas
91 x 114.5 cm

 

Installation view, Jānis Avotiņš, Since the Foundation 

 

Jānis Avotiņš
Untitled , 2015
oil on canvas
115 x 90.5 cm

 

Installation view, Jānis Avotiņš, Since the Foundation 

 

Jānis Avotiņš
Untitled,  2015
graphite on paper
12.8 x 13.5 cm

 

Jānis Avotiņš
Untitled,  2015
oil on canvas
154 x 39.5 cm

 

Vitrine:
pencil on paper
dimensions variable

 

Jānis Avotiņš
Untitled, 2015
graphite on paper
7 x 14.5 cm

 

Jānis Avotiņš
Untitled, 2015
graphite on paper
14 x 11 cm

 

Jānis Avotiņš
Untitled, 2015
graphite on paper
16.9 x 12.9 cm

 

Installation view, Jānis Avotiņš, Since the Foundation 

 

Jānis Avotiņš
Untitled, 2015
oil on canvas
74 x 64 cm

 

Press release

 

Rodrigo Matheus

One – Entre – in the Middle

13 October – 5 December 2015

 

Installation view, Rodrigo Matheus, One – Entre – in the Middle, Ibid. London

 

Installation view, Rodrigo Matheus, One – Entre – in the Middle, Ibid. London

 

Rodrigo Matheus
Border (detail), 2015
mixed media
dimensions variable

 

Rodrigo Matheus
Border (detail), 2015
mixed media
dimensions variable

 

Rodrigo Matheus
One – Entre – in the Middle, 2015
mixed media
211 x 580 x 500 cm

 

 

Rodrigo Matheus
In between, 2015
brackets, shell, mobile, tape measure, toy train track, bamboo
224 x 63 x 74 cm

 

 

Installation view, Rodrigo Matheus, One – Entre – in the Middle, Ibid. London

 

Rodrigo Matheus
Portraits, 2015
assorted materials on paintings
68 x 57 x 13 cm

 

 

Installation view, Rodrigo Matheus, One – Entre – in the Middle, Ibid. London

 

Rodrigo Matheus
Retrato, 2015
ventilation mask, necklaces, wood and glass
58 x 24 x 14 cm

 

Rodrigo Matheus
Candelabro, 2015
brackets, chain, tweezers, brush, squash, metal
131 x 75 x 40 cm

 

left:
Rodrigo Matheus
Candelabro, 2015
brackets, chain, tweezers, brush, squash, metal
131 x 75 x 40 cm

right:
Rodrigo Matheus
Diablo, 2015
brackers, metal, string, wood, plastic, ribbon, crystal, horns
220 x 105 x 85 cm

 

Rodrigo Matheus
Stalactite, 2015
brackets, wood, bronze candle holder, string, acrylic
320 x 40 x 60 cm

 

Press release