Category: Los Angeles

Gallery Three: Austyn Weiner ‘Here’s Your Fucking Flower’

Posted on by john

/ Gallery Three:

Austyn Weiner

Here’s Your Fucking Flower

18 November 2017 – 3 February 2018

>Press Release<

 

 

 

Austyn Weiner
Here’s Your Fucking Flower Grid, 2017
Wax pastel on paper
203.2 x 182.9 cm; 80 x 72 in

 

 

 

Austyn Weiner
And You and You and You, 2016
Oil stick on canvas and wood panel
137.2 x 106.7 cm; 54 x 42 in

 

 

 

Austyn Weiner
Flower #13, 2016
Wax pastel on archival photo rag paper
50.8 x 40.6 cm; 20 x 16 in

 

 

 

 

Austyn Weiner
The Last Word, 2017
Oil stick on canvas
214 x 175.3 cm; 84 1⁄4 h x 69 w

 

 

 

 

Austyn Weiner
A Song, 2017
Oil stick on canvas
214 x 175.3 cm; 84 1/4 x 69 in

 

 

Austyn Weiner
A Gamble, 2017
Oil stick on canvas
214 x 175.3 cm; 84 1/4 x 69 in

 

 

 

 

Austyn Weiner
It‘s You But It‘s Me Too, 2017
Oil stick on canvas
137.2 x 108 cm; 54 x 42 in

 

 

 

 

Austyn Weiner
Between The Cracks I Grow, 2017
Oil stick on canvas
182.9 x 170.8 cm; 72 x 67 1/4 in

 

 

Austyn Weiner
The Bloom Begins, 2017
Oil stick on canvas
101.6 x 76.2 cm; 40 x 30 in

 

 

Austyn Weiner
Here‘s Your Fucking Flower, 2016
Oil stick on canvas
218.3 x 181.1 cm; 85 15/16 h x 71 5/16 w

 

 

 

 

Austyn Weiner
Loves Me Not, 2017
Oil stick on canvas
214 x 175.3 cm; 84 1⁄4 h x 69 w

 

 

Austyn Weiner
Flower #11, 2016
Wax pastel on archival photo rag paper
50.8 x 40.6 cm; 20 x 16 in

 

 

Austyn Weiner
Life’s a Box of Chocolate So I Ate All The Chocolates ‘Cause I Didn’t Know Which One I Would Get, 2017
Oil stick on canvas
214 x 175.3 cm; 84 1⁄4 h x 69 w

 

 

Austyn Weiner
Growth Spurt, 2017
Oil stick on canvas
160 x 108 cm; 63 h x 42 1⁄2 w

 

 

For any further information or images please contact john@ibidgallery.com

Gallery One: Maria Taniguchi

Posted on by john

/ Gallery One:

Maria Taniguchi

9 September – 23 December 2017

>Press Release<

 

 

 

Maria Taniguchi
Runaways, 2017
Java plum wood
Dimensions variable

 

 

 

 

Maria Taniguchi
Untitled, 2017
Acrylic on canvas
274 x 487 x 3 cm; 107 7/8 x 191 3/4 x 1 1/8 in

 

Maria Taniguchi
Untitled (detail), 2017
Acrylic on canvas
274 x 487 x 3 cm; 107 7/8 x 191 3/4 x 1 1/8 in

 

 

 

 

 

Maria Taniguchi
Untitled, 2017
Acrylic on canvas
228 x 114 x 3 cm; 89 3/4 x 44 7/8 x 1 1/8 in

 

 

Maria Taniguchi
Untitled (detail), 2017
Acrylic on canvas
228 x 114 x 3 cm; 89 3/4 x 44 7/8 x 1 1/8 in

 

 

Maria Taniguchi
Untitled, 2017
Acrylic on canvas
274 x 121 x 3 cm; 107 7/8 x 47 5/8 x 1 1/8 in

 

 

Maria Taniguchi
Untitled (detail), 2017
Acrylic on canvas
274 x 121 x 3 cm; 107 7/8 x 47 5/8 x 1 1/8 in

 

 

 

 

 

 

 

 

Maria Taniguchi
Untitled, 2017
Acrylic on canvas
304 x 137 x 3 cm; 119 3/4 x 54 x 1 1/8 in

 

 

Maria Taniguchi
Untitled (detail), 2017
Acrylic on canvas
228 x 114 x 3 cm; 89 3/4 x 44 7/8 x 1 1/8 in

 

Maria Taniguchi
Untitled, 2017
Acrylic on canvas
228 x 114 x 3 cm; 89 3/4 x 44 7/8 x 1 1/8 in

 

 

Maria Taniguchi
Untitled, 2017
Acrylic on canvas
228 x 114 x 3 cm; 89 3/4 x 44 7/8 x 1 1/8 in

 

 

 

 

 

 

Maria Taniguchi
Untitled, 2017
Acrylic on canvas
274 x 182 x 3 cm; 107 7/8 x 71 5/8 x 1 1/8 in

 

 

 

 

Gallery Two: Rodrigo Matheus ‘Soft Spectacle’

Posted on by john

/ Gallery Two:

Rodrigo Matheus

Soft Spectacle

9 September – 23 December 2017

>Press Release<

 

 

 

 

 

 

 

Rodrigo Matheus
Flown, 2017
Banking documents, feathers, threads, pins
105.4 x 85.1 x 7.6 cm; 41 1/2 x 33 1/2 x 3 in

 

 

Rodrigo Matheus
Rigorously Unbalanced, 2017
Shares, threads, pins
105.4 x 85.1 x 7.6 cm; 41 1/2 x 33 1/2 x 3 in

 

 

Rodrigo Matheus
Ordinary Shares, 2017
Banking documents, photographs, threads, pins
105.4 x 85.1 x 7.6 cm; 41 1/2 x 33 1/2 x 3 in

 

 

 

 

Rodrigo Matheus
Medusa, 2017
Fishing net and objects on canvas
177.8 x 91.4 x 15.2 cm; 70 x 36 x 6 in

 

 

Rodrigo Matheus
Medusa, 2017
Fishing net and objects on canvas
177.8 x 91.4 x 15.2 cm; 70 x 36 x 6 in

 

Rodrigo Matheus
The Vedette in a Trap, 2017
Plona chair, mannequin leg, fishing net
127 x 152.4 x 152.4 cm; 50 x 60 x 60 in

 

Rodrigo Matheus
The Vedette in a Trap (detail), 2017
Plona chair, mannequin leg, fishing net
127 x 152.4 x 152.4 cm
50 x 60 x 60 in

 

 

Rodrigo Matheus
Pending Stories, 2017
Shares, threads, pins
184.8 x 125.7 x 7.6 cm; 72 3/4 x 49 1/2 x 3 in

 

 

 

Rodrigo Matheus
Soft Spectacle, 2017
Fringe on white camouflage
241.3 x 584.2 x 12.7 cm; 95 x 230 x 5 in

 

Rodrigo Matheus
Soft Spectacle (detail), 2017
Fringe on white camouflage
241.3 x 584.2 x 12.7 cm; 95 x 230 x 5 in

 

 

 

Rodrigo Matheus
Dream Catcher, 2017
Skateboard, hat, glass dome, artificial fruit
58.4 x 58.4 x 22.9 cm; 23 x 23 x 9 in

 

Rodrigo Matheus
Dream Catcher, 2017
Skateboard, hat, glass dome, artificial fruit
58.4 x 58.4 x 22.9 cm; 23 x 23 x 9 in

 

 

 

Rodrigo Matheus
Gathering Place, 2017
Metal hangers, plastic display props, mannequin hands, curtain
177.8 x 88.9 x 22.9 cm; 70 x 35 x 9 in

 

Rodrigo Matheus
Gathering Place (detail), 2017
Metal hangers, plastic display props, mannequin hands, curtain
177.8 x 88.9 x 22.9 cm; 70 x 35 x 9 in

 

Rodrigo Matheus
Gathering Place (detail), 2017
Metal hangers, plastic display props, mannequin hands, curtain
177.8 x 88.9 x 22.9 cm; 70 x 35 x 9 in

 

 

 

Rodrigo Matheus
Passage, 2017
Bird spikes and threads
279.4 x 177.8 x 12.7 cm; 110 x 70 x 5 in

 

Rodrigo Matheus
Passage (detail), 2017
Bird spikes and threads
279.4 x 177.8 x 12.7 cm; 110 x 70 x 5 in

 

 

Gallery Three: Alejandro Almanza Pereda ‘Outside the Garden’

Posted on by john

/ Gallery Three:

Alejandro Almanza Pereda

Outside the Garden

9 September – 4 November 2017

>Press Release<

>Carla Review<

 

 

 

Alejandro Almanza Pereda
Auto-Reverse, 2016
Archival pigment print
Paper: 93 x 70.5 cm; 36 5/8 x 27 3/4 in
Framed: 100.3 x 77.5 x 5.1 cm; 39 1/2 x 30 1/2 x 2 in
Edition 2/5 + II AP

 

 

 

 

Alejandro Almanza Pereda
Ball and chain, 2016
Archival pigment print
Paper: 93 x 67.3 cm; 36 5/8 x 26 1/2 in
Framed: 100.3 x 69.8 x 5.1 cm; 39 1/2 x 27 1/2 x 2 in
Edition 2/5 + II AP

 

 

Alejandro Almanza Pereda
Tinkertoy (Coral), 2016
Archival pigment print
Paper: 93 x 63 cm; 36 5/8 x 24 7/8 in
Framed: 100.3 x 69.8 x 5.1 cm; 39 1/2 x 27 1/2 x 2 in
1/5 + AP

 

 

Alejandro Almanza Pereda
Just five blocks away, 2015
Archival pigment print on cotton paper
Paper: 66.5 x 66.5 cm; 26 1/8 x 26 1/8 in
Framed: 73 x 73 x 5.1 cm; 28 3/4 x 28 3/4 x 2 in
1/5 + AP

 

 

 

 

Alejandro Almanza Pereda
The Suit Makes the Man (RUA), 2017
Concrete and steel rebar
111.8 x 96.5 x 15.2 cm; 44 x 38 x 6 in

 

 

Alejandro Almanza Pereda
Sticks and Stones (California Decline), 2017
Concrete, brass, aluminium, palm tree stumps, plaster, steel, wood, bowling ball
Dimensions variable

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Alejandro Almanza Pereda
Rock Peppers, 2015
Archival inkjet print on archival photo paper
Paper: 46.2 x 35.4 cm; 18 1/8 x 13 7/8 in
Framed: 53.3 x 41.9 x 3.2 cm; 21 x 16 1/2 x 1 1/4 in
1/5 + AP

 

 

 

Gallery One: Alex Ruthner ‘Playing the piano to a glass of water’

Posted on by john

Alex Ruthner

Playing the piano to a glass of water

15 July – 26 August 2017

>Press Release<

 

Alex Ruthner
Playing the piano to a glass of water, 2017
Installation view

 

Alex Ruthner
Playing the piano to a glass of water, 2017
Installation view

 

Alex Ruthner
X marks the spot, 2017
Oil on canvas
150 x 150 cm; 59 1/8 x 59 1/8 in

 

Alex Ruthner
Liebling der Einbrecher und Diebe (Thieves and Burglars Darling), 2017
Oil on canvas
150 x 150 cm; 59 1/8 x 59 1/8 in

 

Alex Ruthner
Algorithm, 2017
Oil on canvas
150 x 150 cm; 59 1/8 x 59 1/8 in

 

Alex Ruthner
Mystic Ecstasy, 2017
Oil on canvas
150 x 150 cm; 59 1/8 x 59 1/8 in

 

Alex Ruthner
Playing the piano to a glass of water, 2017
Installation view

 

Alex Ruthner
Artificial island, 2017
Oil on canvas
150 x 150 cm; 59 1/8 x 59 1/8 in

 

Alex Ruthner
Unconscious icon, 2017
Oil on canvas
150 x 150 cm; 59 1/8 x 59 1/8 in

 

Alex Ruthner
Two worlds, 2017
Oil on canvas
150 x 150 cm; 59 1/8 x 59 1/8 in

 

Alex Ruthner
Vibrant Vibration, 2017
Oil on canvas
150 x 150 cm; 59 1/8 x 59 1/8 in

 

Alex Ruthner
Playing the piano to a glass of water, 2017
Installation view

 

Alex Ruthner
Playing the piano to a glass of water, 2017
Installation view

 

Alex Ruthner
Stations of the elevated, 2017
Oil on canvas
150 x 150 cm; 59 1/8 x 59 1/8 in

 

Alex Ruthner
Anita 1, 2017
Oil on canvas
150 x 150 cm; 59 1/8 x 59 1/8 in

 

Alex Ruthner
Anita 2, 2017
Oil on canvas
150 x 150 cm; 59 1/8 x 59 1/8 in

 

Alex Ruthner
Voiding (Remember me), 2017
Oil on canvas
150 x 150 cm; 59 1/8 x 59 1/8 in

 

Alex Ruthner
Data Frisbee, 2017
Oil on canvas
150 x 150 cm; 59 1/8 x 59 1/8 in

 

Alex Ruthner
Playing the piano to a glass of water, 2017
Installation view

 

Alex Ruthner
Playing the piano to a glass of water, 2017
Installation view

 

Alex Ruthner
Balance, 2017
Oil on canvas
150 x 150 cm; 59 1/8 x 59 1/8 in

 

Alex Ruthner
Hanoi, 2017
Oil on canvas
150 x 150 cm; 59 1/8 x 59 1/8 in

 

Alex Ruthner
Pumuckl’s death, 2017
Oil on canvas
150 x 150 cm; 59 1/8 x 59 1/8 in

Gallery Two: ‘NUCLEAR FAMILY’

Posted on by john

NUCLEAR FAMILY

Vito Acconci
Joe Bradley
George Condo
Zaha Hadid
Rachel Harrison
Sigmar Polke
Paul Thek

Curated by Kenny Schachter

15 July – 26 August 2017

>Press Release<

 

NUCLEAR FAMILY, 2017
Installation view

 

NUCLEAR FAMILY, 2017
Installation view

 

NUCLEAR FAMILY, 2017
Installation view

 

Vito Acconci
Filler, July 1971, 1971
Gelatin silver prints, hand annotations
86 x 112 cm; 33 7/8 x 44 1/8 in

 

Vito Acconci
Lay of the Land, 1969
Prints
In (5) parts A, B, C, D + unframed photo
92.7 x 151.1 cm; 36 1/2 x 59 1/2 in

 

Vito Acconci
Run Off, 1969
Photographs and chalk on paper
104 x 86 cm; 41 x 33 7/8 in

 

NUCLEAR FAMILY, 2017
Installation view

 

NUCLEAR FAMILY, 2017
Installation view

 

Zaha Hadid
Glasgow Transport Museum, 2007
Mixed media on gelatin
90 x 200 cm; 35 3/8 x 78 3/4 in

 

Zaha Hadid
La Jolla (Private Residence), 2007
Mixed media on gelatin
90 x 200 cm; 35 3/8 x 78 3/4 in

 

George Condo
Etruscan Study II, 1993
Pastel on paper
203 x 112 cm; 79 7/8 x 44 1/8 in

 

NUCLEAR FAMILY, 2017
Installation view

 

Paul Thek
Untitled (Grapes), 1974
Enamel on newspaper
57.1 x 83.8 cm; 22 1/2 x 33 in

 

Paul Thek
Untitled (Landscape), 1969
Acylic on newspaper
42 x 58 cm; 16 1/2 x 22 7/8 in

 

Rachel Harrison
The Separation Of, 2017
Wood, cement, polystyrene, acrylic, enamel, menorah, candles, flashlights, exercise tube,
ceramic hamburger, air freshener and Duck Dynasty slipper
200.7 x 87.6 x 61 cm; 79 x 34 1/2 x 24 in

 

Rachel Harrison
The Separation Of, 2017
Wood, cement, polystyrene, acrylic, enamel, menorah, candles, flashlights, exercise tube,
ceramic hamburger, air freshener and Duck Dynasty slipper
200.7 x 87.6 x 61 cm; 79 x 34 1/2 x 24 in

 

Rachel Harrison
The Separation Of, 2017
Wood, cement, polystyrene, acrylic, enamel, menorah, candles, flashlights, exercise tube,
ceramic hamburger, air freshener and Duck Dynasty slipper
200.7 x 87.6 x 61 cm; 79 x 34 1/2 x 24 in

 

Paul Thek
Untitled (Water Towers), 1983
Acrylic on canvas board
51 x 60.5 cm; 20 1/8 x 23 7/8 in

 

Paul Thek
Windowscape, 1987
Acrylic on canvas board
25 x 32.5 cm; 9 7/8 x 12 3/4 in

 

Paul Thek
Rooftops, 1983
Acrylic on canvas board
 45.7 x 35.5cm; 18 x 14 in

 

NUCLEAR FAMILY, 2017
Installation view

 

Sigmar Polke
Untitled, 1996
Acrylic on canvas
90 x 110 cm; 35 3/8 x 43 1/4 in

 

NUCLEAR FAMILY, 2017
Installation view

 

Joe Bradley
Head and Shoulders, 2009
Oil on canvas
230 x 200 x 3 cm; 90 1/2 x 78 3/4 x 1 1/8 in

 

NUCLEAR FAMILY, 2017
Installation view

 

NUCLEAR FAMILY, 2017
Installation view

Gallery Three: Timo Fahler ‘slow relief’

Posted on by john

Timo Fahler

slow relief

15 July – 26 August 2017

>Press Release<

 

slow fade, 2017
Installation view

 

Timo Fahler
Wall Study , 2017
Dyed hydrocal, plaster, dye, cinderblocks, black beans, hay, rebar
284.5 x 213.4 x 20.3 cm; 112 x 84 x 8 in

 

slow fade, 2017
Installation view

 

Timo Fahler
falling, 2017
Dyed hydrocal, steel, linen
109.2 x 191.8 x 6.3 cm; 43 x 75 1/2 x 2 1/2 in

 

slow fade, 2017
Installation view

 

Timo Fahler
spirit study, 2017
Dyed hydrocal, paper, linen, watercolor pencil, fabric dye
43.2 x 33 x 3.2 cm; 17 x 13 x 1 1/4 in

 

Timo Fahler
logic study, 2017
Dyed hydrocal, paper, fabric dye
43.2 x 33 x 3.8 cm; 17 x 13 x 1 1/2 in

 

Timo Fahler
human study, 2017
Dyed hydrocal, inkjet print, watercolor pencil, fabric dye, paper
36.8 x 27.9 x 4.4 cm; 14 1/2 x 11 x 1 3/4 in

 

Timo Fahler
social study, 2017
Dyed hydrocal, lotería card, watercolor pencil, fabric dye, paper
43.2 x 33 x 4.4 cm; 17 x 13 x 1 3/4 in

 

Timo Fahler
wall study, 2017
Dyed hydrocal, inket print, lotería card
35.6 x 27.9 x 3.8 cm; 14 x 11 x 1 1/2 in

 

slow fade, 2017
Installation view

 

Timo Fahler
the artist as court jester, 2017
Dyed hydrocal, paper, steel, OSB with gold leaf
77.5 x 62.2 x 10.2 cm; 30 1/2 x 24 1/2 x 4 in

 

Timo Fahler
self portrait, 2017
hydrocal, dye, fencing, ceramic, bungee
123.2 x 17.8 x 17.8 cm; 48 1/2 x 7 x 7 in

 

Timo Fahler
self portrait, 2017
hydrocal, dye, fencing, ceramic, bungee
123.2 x 17.8 x 17.8 cm; 48 1/2 x 7 x 7 in

 

slow fade, 2017
Installation view

 

Timo Fahler
body land sky (ecru), 2017
Dyed hydrocal, steel, linen, OSB, lotería card
77.5 x 61.6 x 7.6 cm; 30 1/2 x 24 1/4 x 3 in

 

Timo Fahler
body land sky (brilliant blue), 2017
Dyed hydrocal, steel, linen, OSB
61.6 x 77.5 x 3.8 cm; 24 1/4 x 30 1/2 x 1 1/2 in

 

slow fade, 2017
Installation view

 

slow fade, 2017
Installation view

 

Timo Fahler
climbing, 2017
Dyed hydrocal, steel, linen, burlap
215.9 x 111.8 x 6.3 cm; 85 x 44 x 2 1/2 in

 

Timo Fahler
body study, 2017
Dyed hydrocal, inkjet print, lotería card, sandpaper
43.2 x 33 x 3.8 cm; 17 x 13 x 1 1/2 in

 

slow fade, 2017
Installation view

 

slow fade, 2017
Installation view

 

Timo Fahler
dying, 2017
Dyed hydrocal, steel, linen
215.9 x 109.2 x 6.3 cm; 85 x 43 x 2 1/2 in

 

Timo Fahler
walking, 2017
Dyed hydrocal, steel, linen, ink
215.9 x 111.8 x 6.3 cm; 85 x 44 x 2 1/2 in

 

slow fade, 2017
Installation view

 

slow fade, 2017
Installation view

 

Timo Fahler
pocho, 2017
Dyed hydrocal, steel, linen, bleached burlap, twine, OSB
77.5 x 62.2 x 3.8 cm; 30 1/2 x 24 1/2 x 1 1/2 in

 

Timo Fahler
pollo, 2017
Dyed hydrocal, steel, linen, lotería card, OSB
74.9 x 59.7 x 3.8 cm; 29 1/2 x 23 1/2 x 1 1/2 in

 

Timo Fahler
body land sky (orange), 2017
Dyed hydrocal, steel, linen, OSB
61.6 x 77.5 x 3.8 cm; 24 1/4 x 30 1/2 x 1 1/2 in

 

slow fade, 2017
Installation view

 

Timo Fahler
carnalismo, 2017
hydrocal, rebar, steel, dyed rope
111.8 x 233.7 x 71.1 cm; 44 x 92 x 28 in

 

Timo Fahler
carnalismo, 2017
hydrocal, rebar, steel, dyed rope
111.8 x 233.7 x 71.1 cm; 44 x 92 x 28 in

 

 

Gallery Three: Yanyan Huang ‘Nebbia del Tempo’

Posted on by john

Yanyan Huang

Nebbia del Tempo

3 June – 8 July 2017

>Press Release<

 

Installation view, Ibid Gallery, Los Angeles

 

Yanyan Huang
Nebbia 1, 2017
acrylic, ink, and gouache on linen
220 x 198 x 4 cm
86 5/8 x 78 x 1 5/8 in

 

 

Installation view, Ibid Gallery, Los Angeles

 

Yanyan Huang
Nebbia 5, 2017
acrylic, ink, and gouache on linen
183 x 152 x 4 cm
72 1/8 x 59 7/8 x 1 5/8 in

 

Installation view, Ibid Gallery, Los Angeles

 

Installation view, Ibid Gallery, Los Angeles

 

Yanyan Huang
Measured Duration, 2017
ink, gouache, and acrylic on watercolor paper
35.6 x 27.9 cm
14 x 11 in

 

Yanyan Huang
Measured Duration, 2017
ink, gouache, and acrylic on watercolor paper
35.6 x 27.9 cm
14 x 11 in

 

Yanyan Huang
Measured Duration, 2017
ink, gouache, and acrylic on watercolor paper
35.6 x 27.9 cm
14 x 11 in

 

Installation view, Ibid Gallery, Los Angeles

 

Yanyan Huang
Measured Duration, 2017
ink, gouache, and acrylic on watercolor paper
35.6 x 27.9 cm
14 x 11 in

 

Yanyan Huang
Wallpaper, 2017
245.1 x 396.2 cm
96 1/2 x 156 in

 

Installation view, Ibid Gallery, Los Angeles

 

Installation view, Ibid Gallery, Los Angeles

 

Installation view, Ibid Gallery, Los Angeles

 

Yanyan Huang
Time Pool XVIII, 2017
acrylic, ink, and gouache on canvas
243.8 x 182.9 cm
96 x 72 in

 

Yanyan Huang
Measured Duration, 2017
ink, gouache, and acrylic on watercolor paper
35.6 x 27.9 cm
14 x 11 in

 

Installation view, Ibid Gallery, Los Angeles

 

Installation view, Ibid Gallery, Los Angeles

 

Yanyan Huang
Time Pool Silk X, 2017
silk textitles and pigments
500 x 300 cm
196 7/8 x 59 1/8 in
dimenions variable

 

Installation view, Ibid Gallery, Los Angeles

 

Installation view, Ibid Gallery, Los Angeles

 

Yanyan Huang
Nebbia 3, 2017
acrylic, ink, and gouache on linen
200 x 130 x 4 cm
78 3/4 x 51 1/8 x 1 5/8 in

 

Yanyan Huang
Nebbia 2, 2017
acrylic, ink, and gouache on linen
200 x 130 x 4 cm
78 3/4 x 51 1/8 x 1 5/8 in

 

Installation view, Ibid Gallery, Los Angeles

 

Yanyan Huang
Measured Duration, 2017
ink, gouache, and acrylic on newsprint paper
27.9 x 21.6 cm
11 x 8 1/2 in

 

Yanyan Huang
Measured Duration, 2017
ink, gouache, and acrylic on newsprint paper
27.9 x 21.6 cm
11 x 8 1/2 in

 

Yanyan Huang
Measured Duration, 2017
ink, gouache, and acrylic on newsprint paper
27.9 x 21.6 cm
11 x 8 1/2 in

 

Installation view, Ibid Gallery, Los Angeles

 

Yanyan Huang
Nebbia 6, 2017
acrylic, ink, and gouache on linen
183 x 152 x 4 cm
72 1/8 x 59 7/8 x 1 5/8 in

 

Gallery One: Christopher Orr ‘The Inmost Light’

Posted on by john

Christopher Orr

The Inmost Light

April 22 – July 8, 2017

>Press Release<

 


Installation view, Ibid Gallery, Los Angeles

 


Installation view, Ibid Gallery, Los Angeles

 


Installation view, Ibid Gallery, Los Angeles

 


Christopher Orr
Where the Long Shadows Fall, 2017
oil on canvas
41 x 46 cm
16 1/8 x 18 1/8 in

 


Christopher Orr
Untitled
watercolor on paper
25.4 x 29.8 cm (framed)
10 x 11 3/4 in (framed)

 


Christopher Orr
Untitled
watercolor on paper
29.8 x 25.4 cm (framed)
11 3/4 x 10 in (framed)

 


Christopher Orr
Untitled
watercolor on paper
29.8 x 25.4 cm (framed)
11 3/4 x 10 in (framed)

 


Installation view, Ibid Gallery, Los Angeles

 


Christopher Orr
Untitled
watercolor on paper
29.8 x 25.4 cm (framed)
11 3/4 x 10 in (framed)

 


Christopher Orr
Untitled
graphite on paper
25.4 x 29.8 cm (framed)
10 x 11 3/4 in (framed)

 


Christopher Orr
Untitled
watercolor on paper
29.8 x 25.4 cm (framed)
11 3/4 x 10 in (framed)

 


Christopher Orr
An Unsettled Encounter, 2017
oil on canvas
71 x 61 cm
28 x 24 1/8 in

 


Installation view, Ibid Gallery, Los Angeles

 


Christopher Orr
Anthems in Eden, 2017
oil on canvas
127 x 112 cm
50 x 44 1/8 in

 


Installation view, Ibid Gallery, Los Angeles

 


Christopher Orr
The Serpent’s Knee, 2017
watercolour on Fabiano paper
58 x 56 cm
22 7/8 x 22 1/8 in

 


Christopher Orr
Untitled, 2017
watercolour on paper
52 x 48 cm
20 1/2 x 18 7/8 in

 


Christopher Orr
Stumblings Across a Numinous Landscape, 2017
oil on canvas
71 x 86 cm
28 x 33 7/8 in

 


Christopher Orr
Fields and Wave Forms, 2017
oil on canvas
25.5 x 30 cm
10 1/8 x 11 3/4 in

 


Christopher Orr
All of Your Nothings, 2017
oil on canvas
71 x 61 cm
28 x 24 1/8 in

 


Installation view, Ibid Gallery, Los Angeles

 


Christopher Orr
From the Gardens Where We Felt Secure, 2017
oil on canvas
152 x 112 cm
59 7/8 x 44 1/8 in

 


Christopher Orr
Be Glad for This Song has No Ending, 2017
oil on canvas
36 x 31 cm
14 1/8 x 12 1/4 in

 


Installation view, Ibid Gallery, Los Angeles

 


Christopher Orr
If a Man But Knew, 2017
oil on paper
38 x 28 cm
15 x 11 1/8 in